P3
Script:
Title Card:
8 Panel Storyboard:
1.
Shot Type: Facing Downwards
Duration: 15s
Mise-en-scene: Roger Davis chases criminal up a dimly lit stairwell.
2.
Shot Type: Tracking
Duration: 5s
Mise-en-scene: Criminal crashes through wooden door painfully.
3.
Shot Type: Over The Shoulder
Duration: 10s
Mise-en-scene: Criminal is in pain on the ground of a janitor's closet and tries to get up as Roger runs in. The janitor's closet is surrounded by cleaning products and random bits of equipment. It's clean and lit nicely.
4.
Shot Type: Close Up
Duration: 5s
Mise-en-scene: Roger punches the criminal in the head subduing him.
5.
Shot Type: Extreme Close Up
Duration: 15s
Mise-en-scene: Roger Davis fumbles around trying to check the pulse of the criminal and finds one after struggling and worrying.
6.
Shot Type: Close Up
Duration: 5s
Mise-en-scene: Roger checks the I.D of the criminal. The I.D shows his name and DRD notes it down before getting back up.
7.
Shot Type: Close Up
Duration: 5s
Mise-en-scene: Mark puts a padlock on the door from the outside, locking it.
8.
Shot Type: Wide Shot
Duration: 10s
Mise-en-scene: Roger tries to leave but see's Mark staring through the window holding a key and laughing menacingly.
Costume Design & Sample Clothing:
Sample Sounds & Music:
Sound Effect 1: https://youtu.be/BrVGo883KPo - This is a great sound effect for taking photos at the crime scene.
Sound Effect 2: https://drive.google.com/open?id=13EWywBPT7V9BUUzFGrsyRlHkPLoSTqAL - I think this sound effect would be great for transitioning between scenes with footage of the London Underground to show they're travelling.
Music Track 1: https://drive.google.com/open?id=1zxh8U9n110e3TJcPSf7lYH4mrvG5IqmB - This music is instrumentally great for a somber scene like a funeral for a fallen relative.
Lights and Camera Techniques:
Aside from specific camera angles I would like to become a staple with my show, I think that Dramatic and Quick cuts to other camera angles (in a similar way to Edgar Wright's style of direction) can heighten the anticipation of the scene.
When considering lighting, I think that the lights in a scene/set can be made or lost in it's lighting direction. It is key for the show's ambience that the lighting has to represent the tone of that scene.
Location Recce:
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